So, how many conventions
or concatenations
does it take
for an interstice
to collapse and break?
How big are the spaces
between western and romance
space opera, horror
seven different fantasies
and a Gothic post-punk roarer?
But given the poverty of my poetry, I stuck with a more straightforward approach.
There are a lot of great pieces on mythpunk that have come out in the last week or so. I read a number of them for my SFsignal column but realized that talking about it would lead me too far afield. It was educational to read them, and today Paul Jessup has a blog post about the label, with links to a few other pieces, including Theodora Goss' excellent meditation. The energy that animates how they and others describe mythpunk demonstrates for me how genre/movement designations can create vitality in the literary field of production. The social and conceptual utility of such categories emerges quite strongly in these discussions, and I am eager to read and hear more about it.
But now, the sun is in my eyes and the curtains are poor protection from it.
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